LOGIC OR CUBASE ?
Goto page Previous  1, 2
 
Post new topic   Reply to topic    www.thethrillseekers.co.uk Forum Index -> Music Production
Author Message
Television



Joined: 26 Jan 2008
Posts: 14
Location: In front of a Laptop.

PostPosted: Wed Mar 03, 2010 5:51 pm    Post subject: Reply with quote

[quote="Steve Helstrip"]

I loved logic, but it was way to unstable for me.[/quote]

Unstable ? Nahhh Steve your pushing it now ! Very Happy
But also I do understand your choice. As some people here said it's a matter
of personal choice with these sequencers.
Back to top
View user's profile Send private message
Steve Helstrip
Site Admin


Joined: 08 Jun 2006
Posts: 405
Location: York (UK)

PostPosted: Wed Mar 03, 2010 5:55 pm    Post subject: Reply with quote

If Logic performed as well as Cubase, it would be my preferred choice. I can use 3 times as many plug-ins (omnisphere, etc) inside Cubase as Logic.

S
Back to top
View user's profile Send private message Visit poster's website
CMalhiot



Joined: 07 Jul 2006
Posts: 55

PostPosted: Wed Mar 03, 2010 11:35 pm    Post subject: Reply with quote

AHHHHH Your tempting me Steve. I have noticed that recently as I have been using more plugins. Kinda want to stick to what I know though. I guess I could demo it and see.
Back to top
View user's profile Send private message Send e-mail
phaidon



Joined: 08 Mar 2010
Posts: 1
Location: New York City

PostPosted: Tue Mar 09, 2010 1:42 am    Post subject: Reply with quote

Hi Steve and gang
I gotta say that after 15 yrs of using Logic I've recently switched to Cubase 5
and I'm loving it.
There is/was something about Logic(maybe inadequate PDC,maybe phasing problems in the mixer,not sure) that makes stuff sound grainy.
"Lifeless" hi-frequencies was another thing that bugged me for years.
With Cubase everything sounds crispy and tight.
I know all about nulling and stuff in DAWs,but a lot of the theory doesn't translate when in practice.

my .02c

Cheers

P.
Back to top
View user's profile Send private message
Steve Helstrip
Site Admin


Joined: 08 Jun 2006
Posts: 405
Location: York (UK)

PostPosted: Tue Mar 09, 2010 8:27 am    Post subject: Reply with quote

I haven't noticed any difference in sound between the two. I pretty much only use 3rd party plug-ins, so maybe it has something to do with native plugs.
Back to top
View user's profile Send private message Visit poster's website
Steve Helstrip
Site Admin


Joined: 08 Jun 2006
Posts: 405
Location: York (UK)

PostPosted: Tue Mar 09, 2010 8:28 am    Post subject: Reply with quote

I haven't noticed any difference in sound between the two. I pretty much only use 3rd party plug-ins, so maybe it has something to do with native plugs.
Back to top
View user's profile Send private message Visit poster's website
pecarlo



Joined: 17 Mar 2010
Posts: 3
Location: Galway

PostPosted: Thu Mar 18, 2010 1:57 pm    Post subject: Reply with quote

Hmm i tryed to use Cubase 5 but it was a bit complicated to me. Smile

i went for Ablenton Live 8. and i mean to say it. its really great for live gigs and producing. really user friendly

but i still want to get my hands around cubase again someday. the more complicated the better Smile
Back to top
View user's profile Send private message Visit poster's website
Dezacrator



Joined: 12 May 2010
Posts: 12
Location: United States

PostPosted: Wed May 12, 2010 9:02 am    Post subject: Hi Reply with quote

Hi all,

Steve is right. Most audio engines out of the box will playback identically. Try this, load in a few samples without any processing, export the data and match to the originals. You'll find that the sonic print will match.

Now this is where I have found the differences occurs between Logic, Cubase, Sonar, Alberton etc. Logic for example has award winning plugins that simplify engineering for some. The processing algorithms here can be the difference creating a final mix. Does that mean you cant get the same sound quality out of the other software packages? Not in the slightest, you may though have to approach how you engineer to compensate whatever dynamics that need adjusting.

Here is an example. Back in the 80's Yamaha sent out NS-10's to every major recording studio. Engineers adapted to these speakers due to the wide acceptance of usage. Now, to most the NS-10s are a bit tinny in sound, but engineers learned how to adjust the mix accordingly. They found that having experience with these speakers gave them the ability to walk into any major recording studio knowing there near field monitors respond the way their ears are accustom to.

Getting back to the software, it simple really. Find which software package is easiest for you to interface with. Whatever gets you creating, will out do any audio engine on software you struggle to use.

All the best,

-Dezacrator
SFX - Audio Designs
Back to top
View user's profile Send private message
Display posts from previous:    View previous topic : View next topic  
Post new topic   Reply to topic    www.thethrillseekers.co.uk Forum Index -> Music Production All times are GMT
Goto page Previous  1, 2
Page 2 of 2

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum